The origin and history of the English language

No - we know just the Reverse from woeful Experience! And, as Mr. Locke and the Spectator observe, Men who have threshed hard at Greek and Latin for ten or eleven years together, are very often deficient in their own Language." - Preface to the British Gram, 8vo, 1784, p. xxi.

3. English literature

That the progress of English literature in early times wa

s slow, will not seem wonderful to those who consider what is affirmed of the progress of other arts, more immediately connected with the comforts of life. "Down to the reign of Elizabeth, the greater part of the houses in considerable towns, had no chimneys: the fire was kindled against the wall, and the smoke found its way out as well as it could, by the roof, the door, or the windows. The houses were mostly built of wattling, plastered over with clay; and the beds were only straw pallets, with a log of wood for a pillow. In this respect, even the king fared no better than his subjects; for, in Henry the Eighth's time, we find directions, 'to examine every night the straw of the king's bed, that no daggers might be concealed therein.' A writer in 1577, speaking of the progress of luxury, mentions three things especially, that were 'marvellously altered for the worse in England;' the multitude of chimneys lately erected, the increase of lodgings, and the exchange of treen platters into pewter, and wooden spoons into silver and tin; and he complains bitterly that oak instead of willow was employed in the building of houses."--REV. ROYAL ROBBINS: Outlines of History, p. 377.

Shakspeare appeared in the reign of Elizabeth; outlived her thirteen years; and died in 1616 aged 52. The English language in his hands did not lack power or compass of expression. His writings are now more extensively read, than any others of that age; nor has any very considerable part of his phraseology yet become obsolete. But it ought to be known, that the printers or editors of the editions which are now read, have taken extensive liberty in modernizing his orthography, as well as that of other old authors still popular. How far such liberty is justifiable, it is difficult to say. Modern readers doubtless find a convenience in it. It is very desirable that the orthography of our language should be made uniform, and remain permanent. Great alterations cannot be suddenly introduced; and there is, in stability, an advantage which will counterbalance that of a slow approximation to regularity. Analogy may sometimes decide the form of variable words, but the concurrent usage of the learned must ever be respected, in this, as in every other part of grammar.

Among the earliest of the English grammarians, was Ben Jonson, the poet; who died in the year 1637, at the age of sixty-three. His grammar, (which Horne Tooke mistakingly calls "the first as well as the best English grammar,") is still extant, being published in the several editions of his works. It is a small treatise, and worthy of attention only as a matter of curiosity. It is written in prose, and designed chiefly for the aid of foreigners. Grammar is an unpoetical subject, and therefore not wisely treated, as it once very generally was, in verse. But every poet should be familiar with the art, because the formal principles of his own have always been considered as embraced in it. To its poets, too, every language must needs be particularly indebted; because their compositions, being in general more highly finished than works in prose, are supposed to present the language in its most agreeable form. In the preface to the Poems of Edmund Waller, published in 1690, the editor ventures to say, "He was, indeed, the Parent of English Verse, and the first that shewed us our Tongue had Beauty and Numbers in it. Our Language owes more to Him, than the French does to Cardinal Richelieu and the whole Academy. * * * * The Tongue came into His hands a rough diamond: he polished it first; and to that degree, that all artists since him have admired the workmanship, without pretending to mend it."--British Poets, Vol. ii, Lond., 1800: Waller's Poems, p. 4.

Dr. Johnson, however, in his Lives of the Poets, abates this praise, that he may transfer the greater part of it to Dryden and Pope. He admits that, "After about half a century of forced thoughts and rugged metre, some advances towards nature and harmony had been already made by Waller and Denham;" but, in distributing the praise of this improvement, he adds, "It may be doubted whether Waller and Denham could have over-born [overborne] the prejudices which had long prevailed, and which even then were sheltered by the protection of Cowley. The new versification, as it was called, may be considered as owing its establishment to Dryden; from whose time it is apparent that English poetry has had no tendency to relapse to its former savageness."--Johnson's Life of Dryden: Lives, p. 206. To Pope, as the translator of Homer, he gives this praise: "His version may be said to have tuned the English tongue; for since its appearance no writer, however deficient in other powers, has wanted melody."--Life of Pope: Lives, p. 567. Such was the opinion of Johnson; but there are other critics who object to the versification of Pope, that it is "monotonous and cloying." See, in Leigh Hunt's Feast of the Poets, the following couplet, and a note upon it:

"But ever since Pope spoil'd the ears of the town With his cuckoo-song verses half up and half down."

The unfortunate Charles I, as well as his father James I, was a lover and promoter of letters. He was himself a good scholar, and wrote well in English, for his time: he ascended the throne in 1625, and was beheaded in 1648. Nor was Cromwell himself, with all his religious and military enthusiasm, wholly insensible to literary merit. This century was distinguished by the writings of Milton, Dryden, Waller,Cowley, Denham, Locke, and others; and the reign of Charles II, which is embraced in it, has been considered by some "the Augustan age of English literature." But that honour, if it may well be bestowed on any, belongs rather to a later period. The best works produced in the eighteenth century, are so generally known and so highly esteemed, that it would be lavish of the narrow space allowed to this introduction, to speak particularly of their merits. Some grammatical errors may be found in almost all books; but our language was, in general, written with great purity and propriety by Addison, Swift, Pope, Johnson, Lowth, Hume, Horne, and many other celebrated authors who flourished in the last century. Nor was it much before this period, that the British writers took any great pains to be accurate in the use of their own language;

"Late, very late, correctness grew our care, When the tir'd nation breath'd from civil war."--Pope.

Conclusion

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